Wednesday, January 26, 2005

Feel free to commit suicide




"At least 10 killed as California trains derail", and life moves on for you, mister, the one who caused it. Except that you wanted to end your life seconds before you caused it---before you changed your fickle, sick mind. You changed your mind, cried in shame, and then caused some others to die for your lack of commitment. Changing your mind was a good thing, perhaps, for you. But you did not respect atomicity, you allowed yourself to be observed---this disturbed things. Now you shall be tried, because you are responsible. Not, this time, for your choices, but because you failed to commit on a choice, you failed to act.

The most humiliating thing I can imagine is to be pointed fingers at for not finishing what you'd set out to do. Free will, you say, but only as long as your hands keep out of my pants. You cannot affect the free will of your environment by your choices. You've got to clean up after shitting, mister. Feel free to commit suicide, or not, but you are not allowed to make choices for others. You messed up bigtime, mister, and I hope you're going to pay.

Monday, January 24, 2005

Il était une fois ...!


Saturday, January 15, 2005

Too much humour


I would like to warn the world of the following fact: too much humour can seriously affect the way you speak. And in just a profound way as too much logic affects the way you think, judge and articulate ideas. Words in speech, now more than ever, are critical (once you get used to editing on emacs, for instance) - for there seldom exist 'inverse' phrases that neutralize the effects of ill-chosen words.

But the choice of words is scarcely what I want to talk about. I want to indicate the existence of the principle and practice of redundance. For most, it should be an useful concept to close-eyedly accept and apply in everyday speech, for good - even if one is a logician, and has a natal, guttural urge to complete analyses on all counts, or to rationalize every word exchanged in context. To ignore some words, for one will need the favour from the other side (in time) too. To ignore some cases, for one might not be able to do justice to them once one embarks on the path, not in the least because one is incompetent or handicapped to do so, but simply because no such path exists. Some things cannot, and therefore should not be said, because there isn't enough language to describe them satisfactorially. What is dangerous in speech is that choices are committed; there is seldom the scope for "forfeit", even if caused by eventual enlightenment. Therefore, inviting holes in reason are often better ignored, at the solace of being safe from hidden volcanos and flash-floods.

But I've been talking about logic, while I set out to talk about humour. Humour is, perhaps, even more delicate, because it is by it's very nature based on multifarious interpretations, and derives a kick out of implied contradictions - holes in reason are the saucepans which cook humour best - it is only modest to assume that these holes, these contradictions can thorn out unexpected conclusions. What makes this worse is that humour can be tempting, perhaps even habitually so - the practice of taking a dig at everything imperfect is often a pathological mania with those who nurture it (propelled, no doubt, by frequent buttery chocolaty oohs and wows). Once again, because spoken words are by nature committed, a nonchalant humourous arrow might spawn electric loops of arguments one would, desperately, hope to trade for the mere (im)possibility of backtracking into silence. For oftentimes humour is redundant, it is a spice that might liven up the sauce while carefully used, but might easily burn the tongue when fooled around with, in foolery.

Friday, January 14, 2005

Presidents and assassinations


Although Scorsese was a class apart in Taxi Driver, Sean Penn, I hesitantly admit, beats Robert de Niro in The Assassination of Richard Nixon. The comparisons are inevitable, and it's difficult to be fair; however Penn is Bicke in the truest possible portrayal of being that pathetic, that desperate, that doomed somebody's "is". Undoubtedly Penn's best performance ever. Pure angst. Heavy see.

Thursday, January 13, 2005

Being absurd


It was intriguing to witness a man's dogged persistence at drawing a distinction - to be, to begin with, one of the accepted good, but soon found to be one with a different mind, stretching the good after dark - till the very distinction becomes a vehement fight for identity. To know one's class is in part to know the mind's mode of thought, then find the quirks in the details that make subtle variations in conclusions - variations that become so critical to point out that they symbolize and safeguard, and otherwise threaten to compromise, the very passion that led to the inspection of such depth. The obviously worthless are first filtered out; to be part of the betters, however, is not a satisfaction for long - there is a persistent urge to filter more, distance more, till friends run out and one is alone to fight for his own genius.
The fine line that Camus draws between existentialist escape and absurdist struggle perhaps finds its most sublime example in Camus' own persistence to separate himself from being classified as an existentialist. Walking on that narrow line, on the strength of a position that makes the final distinction, is what is being and living the absurd. To be aware of that distinction, and to defy escape thereon is what gives birth to an absurdist.

Note 1. Gandhi's satyagraha is typically absurd.
Note 2. RMS's ideas on free software, and his distinction between the terms free and open-source make him an absurd man.

Appendix to Strange loop


Apparently some notable inventions* by Surds include...
- the waterproof towel,
- the solar powered torch,
- the book on how to read,
- the pedal powered wheel chair.

*somewhat edited from a forward on Surd teasers